The questions, more or less, and approximately, the answers:

– Is there a relation between avant garde and violence? YES. Starting from Marinetti and futurismus. Everything had to be made new again, and such a revolution had a violent component.

– Is literary or artistic influence a source of anxiety? This form of questioning belongs to the XIX century, imagining an artist or writer “creating” alone among books. Nowadays influences are too present everywhere to be afraid of them.

– Is the 68 movement still very influential? Yes, but not the 68 as it really was, but the 68 that we create today, again and again, a different product depending on who is speaking.

– Is the Oedipus complex still relevant today? We are not sure, we’ve got to ask our mothers.

– A quote from (sorry, we were not able to avoid danger) Wolfgang Huber, SPK: “I realize that theory makes you stupid, but stupidity sets you free”

FREE TABU!!!

He receveid a shirt but this currency wasn’t the right value. Coin altough to be money also produce sound and that was the point. Make noise with money, to do an “Augenblick” at Cabaret Movie, with Liza Minelli.

Of course, money and coins, when they are use for music, change their status…

cheap Fosamax

For the show about money, chaosium was in stage, forming a Cluster around the guest and Ellen, some people of the visitors audience were upgrade in semi-professional audience on the sits near the scene.

Tabu also want to thank a little group of Geneva Students who came all Klau Mich Show Since the beginning of dOCUMENTA 13. Even thes don’t speak German they stayed in the audience and managed always to find somebody whom translate them German to English.

Before to leave some pictures of the last Klau Mich Show, one last question for the redears: In term of currency, what or how you’ll base your value?

02:52 Samir Kandil

Hello, ladies and gentlemen, dear spectators here in the Ständehaus in Kassel. Ladies and gentlemen, meine Damen und Herren, in front of the local TV screen, and dear spectators all over the planet, who watch us through the world-wide web, welcome to this fourth edition of the Klau Mich Show! Welcome.

So, ladies and gentlemen, and specially our TV spectators, I know you have been asking yourselves frequently in the last days: is this what we are watching right now a work of art?
I assure you it is, yes.
You have doubts?
I have heard somebody?
No, not somebody who wanted to give an open critic.
I assure you it is. I know, there are no signs announcing it. If no signs announce it, How are you supposed to know?
Well, it is listed in the catalogue.
It has been funded as such.
And, I must say so; you cannot prove it is not!
(Thank you Marcel!)

But, if it is a work of art, why does KLAU MICH never talk about art or propose any art activity?

Well, to silence critics once and for all, this fourth KLAU MICH program will be, integrally, totally, fully, completely, about art. And I promise it will be about more that that. It will be about Art – and Language.

In the wide, intelligent, all-encompassing program about anti-institutional movements that KLAU MICH presents during these 100 days of documenta(13), we have not many visual artists invited as guests – I give you that. In fact, we have invited just four to the shows, but the four we have invited are, the best.

In our opening program on June 8, we dealt with Gustav Metzger: “The Last Political German Artist”. And today we have “a cabbalistic, esoteric and disturbing movement” with us, the complete resistance, without concession, without compromise, radical art that will never be institutionalized:

Ladies and gentlemen, Art & Language – Mel Ramsden and Michael Baldwin.

(Applause)

Training song for chaosium, finding energy, right intonation to play professional audience and influence the visitors.

Jan was speaking to the empty hall, difficult without viewers to find jokes and have a speech, but he did a good job and he plays with the few people present in the rehearsals.

Then, last round of contributions, finding the right place, saying the script, be comfortable on stage to involve the performance.

Tomorrow another collective session of work to be ready for friday show and pictures for the blog!